John Molloy is a Logie and AACTA Award–winning producer.
In 2022, he produced the drama series Barons (ABC/Fremantle), co-created with Michael Lawrence and Liz Doran. In 2019, John produced The Gloaming, which premiered on Stan in Australia and Starz in North America. The series was created and written by showrunner Victoria Madden, with Disney’s ABC Studios handling international distribution.
In 2016, John produced and co-created with Matt Cameron and Liz Doran the event miniseries Molly for the Seven Network. The series became the highest-rating drama in Australian television history and was awarded the 2017 Logie Award for Best Drama Series.
Also in 2016, John produced the feature film Boys in the Trees, which premiered in competition at the Venice Film Festival, screened at the Toronto and Busan Film Festivals, and won Best Narrative Feature Film at the 2016 Austin Film Festival.
John was a Producer on the feature film Late Night With the Devil, collaborating with Future Pictures, Spooky Pictures and Image Nation.
In 2023, he produced the feature film Jones Family Christmas for Stan.
John Molloy is a Logie and AACTA Award–winning producer.
In 2022, he produced the drama series Barons (ABC/Fremantle), co-created with Michael Lawrence and Liz Doran. In 2019, John produced The Gloaming, which premiered on Stan in Australia and Starz in North America. The series was created and written by showrunner Victoria Madden, with Disney’s ABC Studios handling international distribution.
In 2016, John produced and co-created with Matt Cameron and Liz Doran the event miniseries Molly for the Seven Network. The series became the highest-rating drama in Australian television history and was awarded the 2017 Logie Award for Best Drama Series.
Also in 2016, John produced the feature film Boys in the Trees, which premiered in competition at the Venice Film Festival, screened at the Toronto and Busan Film Festivals, and won Best Narrative Feature Film at the 2016 Austin Film Festival.
John was a Producer on the feature film Late Night With the Devil, collaborating with Future Pictures, Spooky Pictures and Image Nation.
In 2023, he produced the feature film Jones Family Christmas for Stan.
Richard Kelly is a producer with a career spanning over twenty years across film, television and theatre.
He is a co-producer of the comedy-horror series Gnomes, launching in late 2026. Recently, Richard produced the digital short-form drama The Tailings (SBS/Topic). The series received the 2021 AACTA Award for Best Short Form Drama and the 2022 Screen Producers Australia Award for Online Series Production of the Year.
In 2023, he was producer/executive producer on the Stan Christmas feature Jones Family Christmas. He's also a co-producer on the series Barons (ABC/Fremantle) and The Gloaming (Stan/ABC Studios).
Richard’s other credits include co-producing the feature documentary Skategoat (Winner, Audience Choice Award, Sydney Film Festival 2024); producing seven series of the AACTA and Logie Award–winning satirical comedy series Shaun Micallef’s Mad As Hell (ITV Studios/ABC); the comedy panel quiz show Dirty Laundry Live (ABC); and the factual series Head First (ABC) and John Safran’s Race Relations (ABC).
In 2014, Richard created, wrote and co-produced the AACTA Award–winning factual series Hipsters for SBS Television.
Richard Kelly is a producer with a career spanning over twenty years across film, television and theatre.
He is a co-producer of the comedy-horror series Gnomes, launching in late 2026. Recently, Richard produced the digital short-form drama The Tailings (SBS/Topic). The series received the 2021 AACTA Award for Best Short Form Drama and the 2022 Screen Producers Australia Award for Online Series Production of the Year.
In 2023, he was producer/executive producer on the Stan Christmas feature Jones Family Christmas. He's also a co-producer on the series Barons (ABC/Fremantle) and The Gloaming (Stan/ABC Studios).
Richard’s other credits include co-producing the feature documentary Skategoat (Winner, Audience Choice Award, Sydney Film Festival 2024); producing seven series of the AACTA and Logie Award–winning satirical comedy series Shaun Micallef’s Mad As Hell (ITV Studios/ABC); the comedy panel quiz show Dirty Laundry Live (ABC); and the factual series Head First (ABC) and John Safran’s Race Relations (ABC).
In 2014, Richard created, wrote and co-produced the AACTA Award–winning factual series Hipsters for SBS Television.
Luke Walker is a critically acclaimed producer/director whose work has appeared on Netflix, Foxtel and the ABC.
After graduating from the VCA, Luke made his first feature Beyond Our Ken, exposing a notoriously sinister Australian cult. This controversial film was nominated for two AACTA Awards before screening on the ABC.
His follow-up film Lasseter’s Bones saw him team up with Bob Lasseter, using his father’s diary to hunt mythical lost gold in the outback. The film became an instant hit after a national theatrical release, receiving FCCA and SPA Award nominations before being acquired by Netflix.
His next film Pacmen, which premiered at Hot Docs, followed Ben Carson’s ill-fated US presidential campaign and was also nominated for FCCA and SPA Awards.
Luke Walker is a critically acclaimed producer/director whose work has appeared on Netflix, Foxtel and the ABC.
After graduating from the VCA, Luke made his first feature Beyond Our Ken, exposing a notoriously sinister Australian cult. This controversial film was nominated for two AACTA Awards before screening on the ABC.
His follow-up film Lasseter’s Bones saw him team up with Bob Lasseter, using his father’s diary to hunt mythical lost gold in the outback. The film became an instant hit after a national theatrical release, receiving FCCA and SPA Award nominations before being acquired by Netflix.
His next film Pacmen, which premiered at Hot Docs, followed Ben Carson’s ill-fated US presidential campaign and was also nominated for FCCA and SPA Awards.
Suzanne Walker is a producer, writer and co-founder of Total Fiction.
She is currently producing George Pullar's debut feature, Bull and the adaptation of Melissa Lucashenko's Miles Franklin Award-winning novel Too Much Lip in co-production with Tony Briggs and Typecast.
She co-created and produced the horror docu-hybrid Spookers, directed by Florian Habicht, which premiered at Hot Docs before screening at Berlinale, NZIFF and MIFF.
Previously, Suzanne worked at Madman Entertainment's in-house production company on acclaimed documentaries including That Sugar Film, 2040, Fairless and Westwind: Djalu's Legacy.
Her executive producing credits include Gnomes (Stan/ZDF) and the Stan Original Jones Family Christmas.
Suzanne Walker is a producer, writer and co-founder of Total Fiction.
She is currently producing George Pullar's debut feature, Bull and the adaptation of Melissa Lucashenko's Miles Franklin Award-winning novel Too Much Lip in co-production with Tony Briggs and Typecast.
She co-created and produced the horror docu-hybrid Spookers, directed by Florian Habicht, which premiered at Hot Docs before screening at Berlinale, NZIFF and MIFF.
Previously, Suzanne worked at Madman Entertainment's in-house production company on acclaimed documentaries including That Sugar Film, 2040, Fairless and Westwind: Djalu's Legacy.
Her executive producing credits include Gnomes (Stan/ZDF) and the Stan Original Jones Family Christmas.
Tracey has over 18 years of experience in the film industry.
Her role at Total Fiction sees Tracey working closely alongside the producing team, providing managerial support and contributing to the entire production life cycle.
Tracey has substantial experience as a high level Production Accountant, responsible for managing substantial budgets and ensuring the financial unification of many large scale international productions.
Tracey's commitment to aligning financial strategies with creative visions has been instrumental in delivering numerous impactful projects that have resonated with audiences and stakeholders alike.
Tracey has over 18 years of experience in the film industry.
Her role at Total Fiction sees Tracey working closely alongside the producing team, providing managerial support and contributing to the entire production life cycle.
Tracey has substantial experience as a high level Production Accountant, responsible for managing substantial budgets and ensuring the financial unification of many large scale international productions.
Tracey's commitment to aligning financial strategies with creative visions has been instrumental in delivering numerous impactful projects that have resonated with audiences and stakeholders alike.